We perceive sound very subjectively. In addition, every instrument, even the same model, sounds very individual - and even differently at different times. Provided that the instrument is built to a good standard and is in good condition, the distinction between sound patterns is not necessarily a question of good or bad, but of subjectivity, sound philosophy and manufacturer preference.
The spectrum of sound patterns used to be very different. Manufacturers tried to emphasise the individual character more clearly. Since the market has been increasingly dominated by Steinway and Yamaha and the industrialisation of piano production as well as the change in demand, pianos have become much more similar. Overall, modern instruments have become more precise in sound - and more present due to the ever higher tuning. The transparent, clear to hard and metallic sound of modern instruments has found broad acceptance. However, a well-tuned instrument can produce many different sounds - entirely according to individual preferences.
It is therefore not possible to categorise sound patterns. In the case of newly produced pianos, the respective sound patterns of the individual piano types from the manufacturers are already very similar. With old pianos, this varies greatly depending on the construction phase and instrument. In our exhibition you will find Steinway and Bechstein grand pianos from around 1900 that sing like only Blüthner grand pianos are said to do. And vice versa.
Even if this makes it a little more difficult - the search for the desired sound can take time and hold surprises. However, it is worth it.
